The Wizard of Oz-Beyond the Yellow Brick Road

The Wizard of Oz-Beyond the Yellow Brick Road â€Å"Toto, I have a feeling were not in Kansas anymore,† claims Dorothy Gale as she explores her new world of lively color in the Land of Oz. The film The Wizard of Oz, adapted from L. Frank Baums childrens book The Wonderful Wizard of Oz, released in movie theaters in 1939 and nominated for an Oscar Award for Best Cinematography and Color (The Internet Movie Database).The famous musical tells a story of a young girl Dorothy who gets lost in the Land of Oz and travels long and far to the Emerald City. At the Emerald City, she finds the Wizard of Oz, who she hopes will help her get back home to Kansas. On her journey she befriends the Scarecrow, the Tinman, and the Cowardly Lion; at the same time, she must also avoid the Wicked Witch of the West who tries to take Dorothys enchanted ruby slippers. The Wizard of Oz has a unique characteristic in that it was one of the first films to include Technicolor (The Internet Movie Database). Transitioning into colored films became an imp ortant event in film history. The movie industry now had the technology capable of filming in sound and color, which dynamically influences a movie. The Wizard of Oz contains many colorful items that play key roles in the film: the yellow brick road, Dorothys ruby slippers, and the Emerald City. One might find it intriguing to learn that since the idea of Technicolor has been applied, certain colors symbolize important ideas. Although many viewers enjoy watching The Wizard of Oz and may think nothing more of it but as a mere fairy tale classic, the use of Technicolor conveyed many aspects about American history in the early 1900s including racial issues, economic issues, and political issues. Colors were used as a technique to represent social classes or certain races. Once Dorothy steps out of her house after the twister, she stares in awe at the vibrant colors of Munchkinland. These colors help the audience to determine the protagonist and antagonists. For instance, the Wicked Witch of the West and her Winkies, the guardians of the castle, have green skin, unlike those who appear to be human like Dorothy. The differences in color tie to the â€Å"public discourse on race in 1900† (Ritter 173). These references to racial disputes reflected the times in the early 1900s, or post Civil War. While recovering from the Civil War, many former African American slaves struggled to continue living their lives now that Abraham Lincolns Emancipation Proclamation has been established. They had the opportunity to find jobs, but still had difficulty merging with the white community. Baum published The Wonderful Wizard of Oz in 1900 and incorporated racial (social) issues at that certain point in time in order to point out that there existed a segregated culture. Historians refer to the late nineteenth century and early twentieth century as the Gilded Age, an era which featured concerns about social change (190).The movie depicts the differences among the groups of characters and displays how they do not cooperate well together. Another example of utilizing color to express a change in social class is coloring the Emerald City. As Dorothy and her friends trot along the yellow brick road, the film captures the Emerald Citys elegant, resplendent towers from afar; the city itself has magnificent structures radiant in green splendor. Baum associates the people of the Emerald City as well as the Wizard of Oz with the color â€Å"wealthy green . . . [as] . . . selfish, st ingy, and false,† (184) which in the end, the Wizard proves to be when he does not keep his promise to help Dorothy and her newfound friends. The reference to green does not indicate that a certain race is selfish; rather, it exemplifies the idea that at this time in history, serious turmoil existed between different cultures and races. Overall, color orientation enables the audience to understand relationships among the characters. The film also uses Technicolor to recognize the economic crisis occurring during the late nineteenth century, referred to as the Gilded Age and during Americas Great Depression. In the beginning and end of the motion picture, Dorothy is back home in Kansas, where the setting is set in a bronze, sepia color, unlike the Land of Oz, containing all the colors of the rainbow. The overall look of Kansas is â€Å"bleak. . . [including] . . . the house, people, and prairie . . .[which] . . . are all ‘dull and gray† (177). The dramatic contrast in colors between Kansas and the Land of Oz shows how dismal and depressed the residents of Kansas felt while suffering from the poor economy; this represents the dismay many farmers experienced in the United States during the early 1900s. In the film, Dorothy comes from Kansas, where there reside clusters of independent farmers. Baum published The Wonderful Wizard of Oz in 1900, the â€Å"cusp between the decline of Populism and producer ism and the rise of consumerism and corporate liberalism† (198). At this time, many farmers created labor movements due to devastating droughts (198). In 1939, â€Å"Metro-Goldwyn-Mayer brought the Oz tale to screen in vivid color . . . [while] . . . the nation was recuperating from the depression and preparing itself for the challenge of World War II† (199). Color made an impact on the audience in that it inspired them to regain hope that â€Å"[America] would emerge, as Dorothy did, stronger for the difficulties they faced and overcame† (199). In the movie, transitioning from black and white to bright colors allows the audience to relate to Dorothy. The black and white setting represents America during the Great Depression. When Dorothy, representing the common people, is in the Land of Oz, she overcomes her obstacles, which represents America overcoming World War II. The use of color gives off a sense of optimism for the audience about the troubles that lay ahead. Many noticeable items in the movie play a key role in Dorothys journey, but also correspond to important political ideas. In fact, â€Å"The economic and political tumult of the 1880s and 1890s was reflected in competing cultural understandings of American society† (198). Glinda, the Witch of the North, explains to Dorothy that the Wizard of Oz can help her find her way home to Kansas. In order to reach the Wizard of Oz, she must follow the yellow brick road that leads her to the Emerald City, found in the center of the Land of Oz. The yellow brick road symbolizes the gold standard, the current form of currency (Rockoff 746). Many financial reformers â€Å"criticized the gold standard and the National Banking System [. . .] for favoring industrial over agricultural development† (191). Many have analyzed both the movie and book and have interpreted it as a monetary allegory about Populists (Hansen 254). Dorothy represents the Populist Party, while the yellow brick road that leads to the Emerald City signifies Washington, D.C., â€Å"controlled by the ‘Money Power and gold traders† (Ritter 194). Even though the yellow brick road shows Dorothy the way to the Wizard, she still does not find her solution of returning home when she arrives. Very much like a moment in history, this event correlates to the decline of the Populists who cried out to government in dire need for help with crops and farmland. For example, a group of â€Å"unemployed men, suffering under the economic depression of the 1890s, [. . .] marched from Ohio to Washington to demand work and relief, but [. . .] were dispersed rather than rewarded† (183). Dorothys journey and this small group of men are alike in that both parties sought for help, but never initially received any. In t he Emerald City, the significance of the color green relates to greenbacks, or paper money, which many people of the United States referred to as â€Å"a form of false value† (184). This color coding can also relate back to the Wizard. The Wizard of Oz provides important historical references that took place in the United States of America. The movie allows us to escape from reality and discover somewhere over the rainbow a fantasy dreamland where adventure and excitement await us. The magic of The Wizard of Oz has an indelible memory to all ages, throughout the ages. As one of the most notable films in pop culture, the motion picture has obtained many outstanding awards thanks to an unforgettable cast and crew. Not only does the film remain a Hollywood classic, but it serves as historical documentation. As technology has progressed throughout time, the film has used the latest advances of Technicolor to produce a meaningful piece of artwork embedded with racial, economic, and political references. No matter what type of audience views the movie, each individual can relate to the idea that despite ongoing conflicts, â€Å"theres no place like home.†

Essay --

Johann Heinrich Lambert was a Swiss mathematician, physicist, and astronomer. Born in the Republic of Mulhouse in 1728, Lambert died at the age of forty-nine. He is widely regarded for his invention of the Hygrometer, which is used to measure moisture in the air. Lambert is also credited for his achievement in Lambert-Beer-Bouguer Law and Transverse Mercator Projection. Johann Heinrich Lambert didn’t come from the wealthiest of families. His parents were tailors. Therefore, at the age of twelve, recognizing his family’s financial condition, Lambert ceased traditional education and dropped out of school. He worked alongside his father in order to help provide. Lambert didn’t let this deter him completely, however. He was capable in both French and Latin, and spent his free time educating himself to the best of his ability. It wasn’t until after he became the assistant to Professor Basler Zeitung of Basel University, that he was able to return to his studies. He then had a brief stint as a clerk due to his impeccable handwriting. When he was twenty he tutored the sons of Count Salis ...

Love in Kamala Das’s Poetry Essay

Love and sex in her poetry become a paradigm for fractured realities encountered by the poetess. Essentially she speaks for a woman who is in search of love. She challenges the very idea of phallocentric tradition and asserts in poem after poem that the subaltern can speak. Post colonialism consists primarily in the contestation of power structures and social hierarchies. For Kamala Das a woman’s predicament as a daughter , a wife, or a lover reflects a victimization in relationships. Kamala Das revolts against a constructed notion of relationship. Women are not the self-sacrficial model of virtue or promiscuity. The hitherto premises of male hegemony are violently shaken by Kamala Das who can defy the conventional ideological discourse of sexism and love. She herself became a victim of a young man’s carnal hunger . In ‘The Freaks’, a remarkable lyric which was published in Summer in Calcutta contains a picture of love that is full of dirt and filth as the man ensconced in sexual intercourse turned his ‘sun-stained / Cheek to me , his mouth , a dark /Cavern, where stalacities of /Uneven teeth gleam , his right / Hand on my knee, while our minds/ Are willed to race towards love ; / But they only wander, tripping / Idly over puddles of desire† . The focus on the ‘puddles of desire’ refers to her unfulfilled sexual desire as her heart remains ‘ an empty cistern’. Kamala Das describes in ‘The Freaks’a man and a woman persona are described as capriciously and whimsically behaving in unexpected manner. The poem celebrates the mood of transitory triumph over the defeat of love : My glass , like a bride’s Nervous smile , and meet My lips. Dear , forgive This moment’s lull in Wanting you, the blur In memory. Elsewhere in the poem Kamala Das describes the ambience : The April sun , squeezed Like an orange in My glass? I sip the Fire , I drink,and drink Again, I am drunk. We get a poignant verbal drama in the expression. The graphic details of drinking and the April heat. The poem focuses on the inborn passivity of the male partner and yet it ends with the assertion : â€Å"I am freak†. This is the identity crisis of an Indian woman who fails to flaunt ‘ a grand flamboyant lust’ in spite of the dissatisfaction. Here the poetess highlight the notion of vehemence and impetuosity with which the poet appropriates and internalizes the vocabulary for mapping out the terrain for the post colonial women in social terms. She secures the first significant step toward the explosion of the myth of male supremacy propagated by patriarchy. This is in itself automatically presupposes the awareness of a shared fate of injustice. In The subjection of Women John Stuart Mill argues that the principle of servitude in marriage is a monstrous antithesis to all the principles of the modern world. For Mill the most liberating aspect is that human beings are no longer born to their place in life. Kamala Das has shown and is very loud in violently showing that to be born as a woman is to lose the capacity to transcend that place in life already determined by patriarchy. Here Kamala Das decides to empower herself as a woman. In ‘Forest Fire’ the poetess minces no word in recording her innate desire to consume all sorts of experiences in this world: Of late I have begun to feel a hunger To take in with greed , like a forest-fire that Consumes , and, with each killing gains a wilder Brighter charm,all that comes my way. A little later the fury of passions gets the most of her : My eyes lick at you like flames , my nerves Consume. This is not a refusal to acknowledge the tenets of valorization in masculine terms. We encounter in these lines paradigms of transgressions in the discourse, the female playing the male role . The readers are more directly taken into a woman’s quest for identity when the poetess can say in ‘The Looking Glass’ : Getting a man to love you is easy Only be honest about your wants as Woman. Kamala Das does not describe how man loves a woman, she is more interested in telling how a woman can get the love of a man: Stand nude before the glass with him So that he sees himself the stronger one And believes it so, and you so much more Softer , younger, lovelier†¦. Admit your Admiration. This is not urge for female hegemony but the quest for identity in a female mind. Surrendering is an image in the poetry of Kamala Das : Gift him what makes you woman The woman here knows that she will be left alone if the lover forsakes her. A lustful woman rarely succeeds. Getting a man to love is easy but afterward without the man it is a living without life. Joan Chittister writes : In the end women like other minorities who have been taught their natural limitations by the dominant culture in which they live, turn their anger against themselves†¦They know that women can not do what men can do, and they resent and scold and criticize any woman who tries to do it. They become the instruments of the system, its perfect product, its most important achievement. 156) Simultaneously, in a poem like ‘My Grandmother’s House’ published in Summer in Calcutta , there is a note of nostalgia in the depiction of the care-free days of childhood : â€Å" There is a house now far away where once / I received love †¦. That woman died†. In this poem the poetess felt â€Å" My blood turned cold like the moon†. The moon is a romantic image. But Kamala Das used it so realistically to reveal her broken heart and lost love. Bedroom door is like ‘a brooding dog’. The poetess peers through ‘ blind eyes of windows’. The polyphonic text about identities with the autobiographical voice multiply itself into myriad selves. K. R. S Iyengar characterizes some of Kamala Das’s poems as ‘confessional’. Devinder Kohli calls her poems â€Å" candid and witty piece of self-revelation’ In the confession, Kamala Das poignantly tries to straddle both worlds – the secret world of her desire and the world defined by the male chauvinists. But she is left with no option but to conform to the stereotype of the sexual –patriarchal man even when it outlines a mandate of a society that loathes any challenge coming from the females. The poetess tries to negotiate sexual difference, but the importance lies rather in the way it showcases male chauvinism in a patriarchal ideology constructing patterns of fixated behaviours exalting them as normal. Individuals in this quest of identity socialized themselves into a locus of role specificity which in the case of a female disrupts the orientations. It is the crisis of the role that sustains the split between the role the character plays in Kamala Das’ poems. ‘Spoiling the Name’ presents effectively one of Kamala Das’ central insights, as Devinder Kohli points out , the commitment of her poetic self to experience. The sighs are ‘metallic’ , limbs are curled at the ‘touch of air’ (‘A Relationship’)and ‘nudity on sheets of weeklies’( ‘Loud Posters’ ). Kamala Das mocks her ‘feminine integrity’ ( Sarkar Jaydip:84) when she finds in a shamefully helpless situation as in ‘The Freaks’ with the lover whose mouth is a dark Cavern where stalacities of Uneven teeth gleam It is not that the subversion is apparent everywhere. Women also gravitate from aspiring to be transgressive social agents to artitculating their muted histories, finally pointing up the truth that they were forced to suppress. In the poem ‘Love’ there is a ‘celebration of happiness and contentment in love â€Å" My life lies, content / in you† (Sarkar Jaydip: 86). The poetess was committed to the sensual world , true, but in her life partner she tried to achieve the shared identity . She sought a life beautifying force of love which might be equated with physical relationship. Sterility and vacant ecstasy were all that Kamala Das abhorred and herein she had her disillusionment. Love that is extra marital was not Kamala Das’ angst , rather her inner self created for herself a tiny world in which the trauma of love and marriage were distant cries, hardly heard of. In the ‘Sunshine Cat’she depicted the picture of ‘a cold and half dead woman’ who was of no use to her. The cat might be her own feminine self as well. In ‘Winter’ , the celebration of sex was a theme,but it was more a desperate attempt of her soul for groping for roots in his body(Sarkar Jaydip: 85). As a singer of feminine sensibility she protests against restraints of society , and simultaneously she shakes off the rigid gender roles , determination triggered by situational factors. In 1948, Alfred Kinsey published Sexual Behavior in the Human Male in which sexual orientation was placed on ‘a graduated continuum’ ( Kinsey: 638). Kinsey advocated a re-appraisal of the treatment meted out to queer beings by way of isolation and rehabilitation. The hypocrisy latent in marriage is due to societal pressures. In most occasions , the victims in such marriage of convenience is the wife, that Kamala herself was and who wanted to express the oppressive anguish of her own life. Thus on the one hand, the poems of Kamala Das are visualizations of her own pains, but at the same time they are the demeaning perceptions galvanizing the concomitant negativity into a motive for further exploration of female psyche. The fantastically confessional poem ‘The Old Playhouse’ reveals this agony of the mind of the poetess: It was not to gather Knowledge Of yet another man that I came to you but to Learn What I was and by learning to learn to grow †¦(K. S. Ramamurti:151) This is what we mean by ‘pathei mathos’,wisdom consisting in suffering, the poetess gradually learning to cope up with demands of the more realistic world and compromising with her dreams as the potential abilities of the human body got stunted by the sterility of the man she loved. We may safely surmise that the poems do not become an erotic world in spite of all the sexual replenishments for the starving soul of a woman. Nor the poems become an articulation of a muted feminine consciousness. Kamala Das exploded the stigma of vulnerability and gained a critical consciousness to stand up to the deforming norms of the conventional intercourses in marital life or love life,whatever it is. It was not in her capacity to reorder the chaotic world into a cosmos. At best she could suggest some therapeutic rehabilitation of a trauma-ridden woman who survives the psychological abuses, manipulation and a dreariness of emotional desert. The poems serve for such a starving soul as a rallying point. K. R. S. Iyengar rightly remarks : â€Å" Kamala Das is a fiercely feminine sensibility that dares without inhibitions to articulate that the hurts it has received in an insensitive largely man-made world. † ( Iyengar: 667) . Reading List Works cited Das Kamala , Summer in Calcutta, New Delhi: Everest Press, 1965. ———– The Old Playhouse and Other Poems. Madras: Orient Longman, 1973. ———– My Story , New Delhi, Sterling Publishers, , 1976. ————- Tonight , This Savage Rite: The Love Poems of Kamala Das & Pritish Nandy. New Delhi: Arnold- Heinemann (India) 1979. ————— Only the Soul Knows How to Sing. Kottayam: DC Books, 1996. Primary Sources . 1. Lal. P. Ed. Modern Indian Poetry in English : An Anthology and a Credo, Calcutta: Writer’s Workshop, 1969. 2. Kotoky, P. C. Indo English Poetry, Gauhati: Gauhati University, 1969. 3. James ,Vinson (ed. ) Contemporary Poets,New York: St. Martin Press,1975. 4. Abidi, S. Z . H. Studies in Indo Anglian Poetry, Bareilly: Prakash Book Depot, 1979. . Parthasarathi, R. Ed. Ten Twentieth –Century Indian Poets. New Delhi: OUP. 2nd Ed. 1980 6. Shahane, Vasant A. and Sivaram Krishna, M. (eds. ) Indian Poetry in English : A Critical Assessment . Delhi: Macmillan, 1980. 7. Rahman ,Anisur. Expressive Form in the Poetry of Kamala Das. New Delhi: Abhinav Publications, 1981. 8. Stella ,Samdahl. ‘South Asian Literature: A Linguistic Perspective’, A Meeting of Streams. (ed). M. G. Vassanji,,Toronto: TSAR,1985. 9. Chindhade ,Shirish. Five Indian English Poets , New Delhi: Atlantic Publishers, 1996. 10. De Souza , Eunice. Nine Indian Women Poets : An Anthology. Ne w Delhi: Oxford Univ. Press, 1997. 11. Mitapalli Rajeswar et. al. Kamala Das: A Critical Spectrum. New Delhi: Atlantic,2001. 12. Gokak, V. K. (ed. ) The Golden Treasury of Indo Anglian Poetry. New Delhi: Sahitya Akademi, 2004. . Secondary Sources: 1. Kohli ,Devinder. Virgin Whiteness: The Poetry of Kamala Das. Calcutta: Writers Workshop, 1968. 2. K. R. S. Iyengar, Indian Writing in English , New Delhi Allied Publishers,1962; 2nd ed. , 1973. 3. King ,Bruce . Modern Poetry in English, Delhi, Oxford University Press. 1987. 4. Joan D. Chittister, Heart of Flesh: A Feminist Spirituality for Women and Men Cambridge and Ontario : WmB. Eerdsmans Publishing Company, 1998. 5. Alfred C. Kinsey et al. Sexual Behavior in lthe Human Male. Philadelphia: W. B Saunders: Bloomington, Indian U Press, 1948 2nd Ed. ,1998. 5. Banerjee,Benoy Kumar ; Bakshi, Kaustav. Studies in Indian Poetry in English, Kolkata: Books Way, 2008 6. Ahmed, Irshad Gulam , Kamala Das : The Poetic Pilgrimage. New Delhi: Creative Books,2005. 7. Ramamurti, K. S. Ed. Twenty-Five Indian Poets In English , Kolkata: Macmillan India Ltd. , 2008. 8. Sarkar ,Jaydip (ed. ) Kamala Das and Her Poetry , Kolkata: Books Way,2009. —————————- .

Secret Banking Elite Rules Trading In Derivatives Case Study

Secret Banking Elite Rules Trading In Derivatives Case Study Secret Banking Elite Rules Trading In Derivatives – Case Study Example Derivatives market There are various options in this case: Auditing of the books of the derivative traders should be doneso as to reveal how much they are earning from the trade. This will help influence the other players like those who need to trade with the dealers for derivatives to consider their position. This position will be either to trade in the derivatives or not. Banks and other institutions that want to join in the market should lobby for them to be able to operate in the market and hence loosen the reins of the trade from a few hands. This will make sure that other competitors enter the market hence promoting transparency.A transparent market like that of stocks and shares should be established through an intervention with the government so as to make sure that people are not exploited and that the trade does not remain within few hands that are not honest with their dealings. This can be done through the trade commission and the Department of Justice. This will make a s ecret trade exposed, and rules played in a legal manner. Firms should start trading in derivative markets despite the opposition that is faced from the secret group. With the help of the government and other state trade regulators, they can ensure their success and dominance in the field and even provide competition to the secret firms. With this competition, exploitation of people is bound to stop.All the alternatives above can be done jointly as the market is hard to penetrate and it is prone to unfair dealings as it is worth a lot of money to a few people who mean to protect it at all costs.ReferencesMiller, M. H. (1997). Merton Miller on derivatives. New York: Wiley.

Public Defender System

Public Defender System In reference to putting pressure on defendants to accept prosecutors plea deals: describe how the public defender system can operate more effectively, efficiently, and cost benefit Public defenders are all those prosecutors and attorneys who provide â€Å"legal representation of criminal defendants who are indigent (that is, those who are poor and cannot afford a lawyer)† (Levinson, 2002). There are lots of situations, which may considerably improve the public defender system.Advertising We will write a custom research paper sample on Public Defender System specifically for you for only $16.05 $11/page Learn More In case, when pressure is put on defendants to accept certain prosecutors plea deals, the public defender system has more chances to operate efficiently and effectively because of several reasons. First, psychological factor is one of the major ones, which turn out to be helpful during the cases. Defendants may be prepared to certain question s, however, it is not that difficult to catch them and start using some personal information to accept plea deal. This is why the psychological factor should be taken into consideration. Of course, to present more efficient public defender system, it is necessary to use the existed laws and present real life and legal examples of punishment. If this pressure does not have enough legal background, the results may be disappointing for any side. Putting pressure on defendants helps to incriminate even bigger criminals. Lots of defendants cannot even imagine that pressure during the case may lead to unpredictable confessions. However, prosecutors should take into consideration that this pressure may lead the defendant to accept a plea deal in exchange for real testimony. In this case, the case will get another course, and more evidences have to be gathered again. Taking into consideration the above-mentioned outcomes of pressure on defendants, it is possible to conclude that the public defender system may be improved, if prosecutors try to use checked evidences and proper psychological evaluation of the case. This is why prosecutors have to take psychological courses to ask the question and put pressure in a proper way.Advertising Looking for research paper on law? Let's see if we can help you! Get your first paper with 15% OFF Learn More In reference to heavy caseload per attorney: describe how the public defender system can operate more effectively, efficiently, and cost benefit Many people admit that heavy caseload per attorney is considered to be one the areas that considerably affect the public defender system. Heavy caseload per attorney may cause because of racial issues, as people of one race want to choose an attorney of the same race in order to be sure that the attorney of the same race will do more to protect a defendant. In this case, an attorney has not much time on each case, and the chances to present reliable and helpful in formation may decrease. Another reason of heavy caseload per attorney is the financial side. Some attorney ask more money for their services, however, lots of people do not have such sum of money, this is why those attorney, who try to meet and comprehend the financial troubles of defendants may have heavy caseload. To improve the public defender system, it is better to develop proper requirements for all attorneys in order to divide their duties and have the same amount of caseloads. When an attorney has enough time and energy to analyze the case, the results may be rather beneficial. Some attorneys have numerous friends, who are eager to find more help and support from a particular attorney. This is why close relations to the defendant may also decrease the level of attorney’s services: people try to look for some benefits even by means of friends and other people. To my mind, it is better to create a system that the work between the attorneys should be divided rationally: people should be prejudiced with the ideas of race inequality and gender discrimination. It is better for attorney to pass some tests to prove their devotion to the work but not to money or racial biases. In this case, the public defendant system will be much more beneficial.Advertising We will write a custom research paper sample on Public Defender System specifically for you for only $16.05 $11/page Learn More Reference List Levinson, D. (2002). Encyclopedia of Crime and Punishment: Volumes I-IV. SAGE.

The Value Of The Internet For Terrorists - Case Study Al-Qaeda Research Proposal

The Value Of The Internet For Terrorists - Case Study Al-Qaeda - Research Proposal Example With the enormous growth in the size and use of the network, positive aspects of the internet were challenged by the use of the internet by extremist organizations of various kinds. Groups with very different political goals but united in their readiness to employ terrorist tactics started using the network to distribute their propaganda, to communicate with their supporters, to foster public awareness of and sympathy for their causes, and even to execute operations [Weimann, 2004]. The cyber attacks arising from the events of September 11 reflect a growing use of the Internet as a digital battleground [Jenning, 2001]. Since 9/11, public awareness of, and government concern with, Internet security issues has mushroomed. Several news reports and studies have suggested that Al-Qaeda preparations for the terrorist attacks were facilitated by the use of new information and communication technologies, including those associated with the Internet [Deibert, 2006]. FBI Director Robert Muller while addressing the Select Committee on Intelligence of the United States Senate mentioned Cyber-terrorism as a clearly emerging threat. There is cause for uneasiness as the present generation of terrorist groups are found to be increasingly computer savvy, and some probably are acquiring the ability to use cyber attacks to inflict isolated and brief disruptions of U.S. infrastructure. Muller expressed apprehension that as terrorists become more computer savvy, their attack options will only increase [Muller, 2003]. In this context it is particularly important to make an in depth study on the efficacy and use of internet to terrorists groups and to evaluate their way of utilising the cyber world to spread their network and activities, such as for generating support, and networking among their affiliates. Objectives of the study 1. The study will focus on terrorist groups' 'use' of the Internet, in particular the content of the groups' Web sites, and Terrorist groups' use of the Internet for the purpose of inter-group communication and coordination. 2. The possible 'misuse' of the internet by terrorist groups 3. To analyse political agenda or religious fanaticism associated with cyber terrorism 4. To understand the nature and spread of online presence of Al-Qaeda and their gradual and systematic entry into cyberspace.

U.S. GAAP vs. IFRS Research Paper Example | Topics and Well Written Essays - 500 words

U.S. GAAP vs. IFRS - Research Paper Example This allows matching of the accounting contract costs, as well as revenue with the accounting periods in which the construction work takes place (Bohusova, 2009). Another factor is that the accounting of fixed price construction contracts is done using percentage of the completion technique. According to Intermediate Accounting (2008), under such as case, the completed contract method is not permitted; there is no specific guidance on software revenue recognition and the guidance on sales of real estate is limited† (p.102). On the other hand, U.S. GAAP is based on rules; thus, it lacks an extensive guidance regarding revenue recognition specific to the type of contract or industry. Its revenue recognition is divided into two levels with the first part being the guidance in concepts statements. In the second level is the guidance for revenue recognition in particular industries, as well as transactions that are economically different. Revenue recognition in this case depends on two criteria that must be met as defined in the FASB Concepts Statement No.5, which notes that revenue must be realizable, as well as earned (Bohusova, 2009). Another point of difference is that in this case, the accounting for the construction contracts uses the percentage-of-completion method only on condition that certain criteria are met; if not the completed contract method is applied. Finally, GAAP unlike IFRS provides for a detailed on the recognition of software revenue, as well as on accounting for real estate sales (Int ermediate Accounting, 2008). In IFRS financial statement, the net income is exclusive of the interest expenses and interest revenues. IFRS reports on interest income with regard to financing activities only happens when the future economic benefits are put in place. On the other hand, GAAP performs report of its income under investing